Whoa, I’m getting fancy and inserting pictures in my entries! I can barely contain myself too!
Well, there is a deeper meaning behind the picture. The title of this post states “I just wanted to be different”. So I figured a snowflake would be an appropriate graphic as no two snowflakes are alike. No two humans are alike.
Sometimes we forget just how unique we are. There are so many humans in the world, it can feel like you are insignificant and don’t matter. If you have read any other things I have posted in this blog, you will know that it is something I talk about a lot.
When my violin teacher suggested to me at the end of grade 7 that I switch to viola, I will admit I was quite skeptical, as I’m sure you can relate if you are a violist as well. I thought it was a passive-aggressive nudge suggesting that things on violin weren’t going so well and that maybe I should just give up. I didn’t want to play an instrument that had such horrible jokes written about it, I couldn’t be that person! I rented a cheap one just to try it out and give it a chance. I did like the deeper, rich tone quality of the viola. Overall, I thought it was a much nicer and satisfying instrument to play. The next week when I went to my violin lesson, it was my first viola lesson. That summer, I went to the summer string workshop as a violist. I was still a bit shaky on alto clef, but by the beginning of grade 8, I was almost fluent in alto clef. By the time I started youth orchestra, it was like I had been playing viola for years.
I’ll admit I still wasn’t completely sold on viola. Part of me was still a violinist and missed soaring in those high positions on the E string. I’d watch the violinists have these crazy hard parts all up in 8th position while I was playing tremolo. I would almost wish that I could play something like that, I felt like I wasn’t challenging myself enough. I thought people would think that I was being lazy for switching to the viola. Yes, at one point in my life, I thought viola was “too easy”. Such a violinist thing to say. I did like being in a smaller section though. There aren’t many violists, especially where I was from. I felt I always got lost in the sea of violinists and was constantly compared to other people, making me always feel like the “underdog” or behind others. When I started on viola, I felt like I was my own category and I didn’t care if I was behind others or didn’t play as well as I “should have”.
It wasn’t until the end of grade 9 when my parents very kindly bought me a new professional quality viola (the one in the banner of this blog). As soon as I played it, I fell in love with the instrument all over again. It was so much nicer than that cheap rental one I had been using the past 2 years. It was from that moment that I knew that viola was my true calling. I was never meant to be a violinist, I was a violist. I didn’t switch to viola because I wasn’t good at violin, I switched because I genuinely enjoyed the instrument more and it suited me better.
As I began to identify more with being a violist, I began to be legitimately bothered by all these viola jokes. I knew they were just jokes, but I couldn’t help but wonder if there actually was a prejudice in the musical world against violists. Where I was from, a lot of the viola players didn’t play very well or work very hard. I got the impression they were violinists, like me, told to play viola and took it the wrong way. Once they switched, they never really got any better. I guess they thought since they’re inferior to everyone else and never going to get any better, why bother? These people are the reason that viola jokes still exist.
I wanted to be different. I wanted to work hard and achieve things just like any violinist or cellist. Just because I’m a violist doesn’t mean I can’t work hard. I wanted to be that violist. I wanted to stand out. I wanted to win all the competitions.
As you can tell, this mentality didn’t work out for me. I ended up being way too cocky in certain situations and made myself look even more like a fool. I felt like I had done all this hard work for “nothing”. Now as a fourth year university student, I still haven’t won any major competitions and feel like I’ve let violists down. I wanted to be different and show that we’re not the out-of-tune, stupid, unmusical losers that those stupid jokes say we are!
But then, I take a step back and think. Am I practicing and working hard to impress other people? Am I wanting to win competitions just to prove that violists are competent individuals? Sounds ridiculous when you put it in those terms. Who cares if people don’t think you’re good or think you’re a loser? All that matters is that you put in the hard work and know you’re accomplishing things for yourself. People can think whatever the hell they want, they’re not your future employers.
I guess through all these years of being unsuccessful, I felt like people just thought I was just like every other violist in my city. When I moved here, I felt the same way. I tried so hard to be different but just couldn’t. But you don’t have to try hard to be different. You are different. Not everyone was meant to win all the competitions and be the person that everyone’s “in love” with. Winning competitions does not equate success. I’ve accomplished things that don’t get nearly as much praise or attention as a competition, but are unique to me and other people haven’t necessarily done. Not saying that I have an advantage, but I’m just as successful as those people who win every competition even though I don’t get nearly the praise and attention they do.
Bottom line is everyone is different. We all have our own set of achievements and stories to tell. Why do we waste so much energy trying to be like “everyone else” or prove that we are just as good as another person? I honestly think, not just myself, but all musicians put too much energy into trying to be different and stand out from other people. People will think what they think, but at the end of the day, we know what we have done and one day someone will appreciate that.
The question all music majors ask themselves at some point. It is a career path with such uncertainty and no one knows where they’ll be in 5 years. While you’re in school, you are subject to so much criticism (albeit constructive), but it’s normal to fell like you suck. Today, I had somewhat of a quasi mental breakdown.
With grad school auditions coming up, I often worry if I will be good enough. I question every thing I have ever done in my life and find myself being concerned with “If I did this one thing differently, everything would be better”. I think about my time when I was in high school and growing up in my hometown. If you’ve read any previous entries in this blog, you’ll know that I have always felt like I got the short end of the stick. I had to watch other people constantly win competitions, even when they didn’t necessarily deserve it. I felt like the classical music version of Leonardo DiCaprio (that awkward moment if you’re reading this entry in the future and he actually won an Oscar). I always had this thought in the back of my mind that I would have a chance of winning these competitions as the people who were older than me graduated and moved away. It turns out the people younger than me took over. I remember very distinctly at the place I took my music lessons at had an awards ceremony at the end of the year where they handed out various scholarships/medals to hard-working students. They had this very prestigious award (or at least that was what I thought it was) that was called the Director’s gold medal or something. Basically, you get your name added to the plaque on the wall and everyone thinks you’re the greatest person on earth. Naturally, I wanted this award more than anything. The things they looked for were attendance and preparation in lessons, a high level of performance, and participation in recitals. I went out of my way to make sure I excelled in those areas. In grade 11, I was up every morning at 6am to squeeze in an extra hour of practice before school. I performed in 5 or 6 recitals that year too. I didn’t get selected and I was initially quite upset because that was the year I wanted it so I could put it on my resume for university applications. I eventually got over it and focused on trying to get it for grade 12. You know what happens next though. I did not receive this award in grade 12. I was just as consistent with my preparation for lessons and work ethic, yet it was not noticed. I felt like all that work was for “nothing”. The part that made it a huge slap in the face was that they had given it to someone who was a year younger than me, had won it in the past, and wasn’t planning to go into music. I was convinced that there were people from my hometown that were just closed-minded and didn’t think I had the potential to succeed in a career in music so they all conspired to make sure that I never won any competitions or awards.
When I did go away to pursue music, I forgot about a lot of this stuff and didn’t let it bother me. At the same time, it was still in the back of my mind. I was convinced that so and so was out there rooting for me to fail and drop out of music. It almost gave me this sense that I needed to prove that I was good enough and that I was doing well. After first year I entered the music festival in my hometown. There were a lot of university kids who had the same idea though, so I didn’t really win anything. It wasn’t as embarrassing though because these people were already older and better than me and it would have taken a miracle for me to play better than them. After my second year, I entered in the same festival again. It turned out that I was the oldest competitor this time so while I tried not to let it get to my head, I thought that I might have a better chance. I did win some of the competitions that I’d entered in for years, but it wasn’t really a satisfying win, it was more or less just expected given I was the oldest, most qualified, and musical candidate. There were a couple times I lost to the “superstar little kids” who were still in high school at the time. Needless to say it was slightly embarrassing, as a music major, to lose to people who were still in high school. I got selected to the provincial festival and got beaten out by a cellist who was a 3rd year engineering student. Whaaaat? That was the last year I did the music festival in my hometown and I can’t see myself doing it ever again in my life.
If you have read anything on this blog before, you know that I’m not exactly having more success at my school currently with respect to competitions. I know competitions aren’t everything, but I still can’t help but wonder what I’ve been doing wrong all these years. Yes, intonation is probably my biggest struggle, but it can’t be the only thing. It’s not my instrument choice either, I’ve watched other violists and other “underdog” instruments like guitar or bassoon win competitions. I would totally be best buds with Leo DiCaprio at this rate, except he has a better chance of winning an Oscar than I do of winning a competition. I’ve given up on entering competitions at my school too. There’s a scholarship competition in January coming up soon and I’m just like f*ck it. I will be out of town for the final round anyway so if I did enter, although no matter how well I play I wouldn’t make it to the finals, I’d still feel like I have to go out of my way to slough it off which isn’t worth it. I’m tired of feeling like a worthless piece of sh!t as this is not conducive to my 4th year recital and grad school auditions coming up. Competitions make me feel like sh!t, when I don’t enter them, I’m fine.
It does concern me on a larger scale though. The two cities I’ve lived in are relatively small centres in Canada as a whole. It’s really not hard to stand out, but somehow I am unsuccessful at that. My concern is that if I can’t even get recognized for a silly thing like the director’s gold medal or the university concerto competition, how am I going to make it on the national and international level? There is no “better luck next time” or “keep up the good work” in the real world. I can only be unsuccessful at so many auditions before I have to give up and find a career outside music. I can’t continue this 10+ year “dry spell” that I’ve been having much longer. I need to start standing out and achieving things. I worry that because I don’t have the skills to stand out in small schools/cities that I will not stand out in grad school auditions either. There will be students from all over the country and possibly internationally as well that are competing against me. I may be good enough for my small school (who isn’t, let’s be real) but I’m applying to the big schools in Canada and they may not have so much tolerance for my sh!t. One out of tune note and I’m gone. I’m taking a huge risk too, if I don’t get accepted into one of the three schools I’m applying to, I have to wait a whole year to try again. I should have applied to the school I go to currently for master’s as a backup, but I’m not that desperate to do a master’s that I would attend my school for another 2 years. I’ve had enough of this place. I guess if I don’t get into a master’s I’m not going through all this application and audition sh!t again so that’s the end of the road for my music career. To recap, if I f*ck up with my auditions, I’m potentially screwing up my whole life. No pressure.
But the problem is I have mental breakdowns like these, then I’ll turn around and have the most successful practice session. Now I’m back to feeling confident and motivated about my auditions. Why can’t I make up my mind and just be confident or just be depressed? I figured out this section that I was really struggling with in one of my pieces. I rehearsed with the pianist and had a coaching with my teacher and it just was not a good time at all, but I fixed it! I really fixed it! I guess the important thing to remember is you always accomplish things, even if they seem futile or mundane to others or yourself. I just sometimes have to ignore all these people out there and winning competitions and focus on my little successes of figuring out a tricky rhythm. The grass isn’t greener on the other side either. For example, I always liked the idea of winning the concerto competition in 3rd year so I could play with the orchestra in 4th year and it would be like a nice “send-off” or “grad gift”. Now that I’m in 4th year, I’m incredibly thankful I’m not preparing a concerto to play with the orchestra on top of all my grad school and recital sh*t! I’m in way over my head with the stuff I have to do, I couldn’t imagine doing much more at the moment!
I’m just keeping my eyes on the prize. Things are so stressful right now with my grad school auditions around the corner. Before I leave, I’m doing my 4th year recital! It’s pretty insane! But I know that in March, I will be so thankful I got all of that done and I can just enjoy the last 2 months of my undergrad. I can learn any pieces I want, do some more chamber music stuff, and just relax. And then this summer, I’m going to learn how to take a real break. I only applied to 3 programs, which are 2-3 weeks (no longer than a month). I will only do whichever ones I get accepted to basically. Then, I can do whatever I want with no specific purpose. And then grad school (if I make it) starts. Yay me!
Happy New Year everyone! Hope you all had a great New Years with family, friends, or even just a quiet night by yourself. Trust me, after spending many New Years with my family, as much fun as we have, I miss having a quiet New Years.
I digress. This is definitely a debatable topic and there is no right or wrong answer. I’ve been in many situations where I’ve been frustrated with someone getting chosen as principal or the winner of a competition just because they’re older than I am, and also situations where a younger person is chosen because they play better than I do.
In high school and middle school I find that seniority tends to rule. Why? At that age, teachers tend not to want to hurt the students’ feelings and want to give everyone a chance. I think this is generally fair. When I was in youth orchestra and high school band, I didn’t mind when the grade 12’s were given the big solos. I thought it was a nice way to reward them for their hard work and allow them to show how they’ve progressed.
Most of the time, that is no big deal. However, what if there is a more skilled player who is in grade 10 or 11 that would play the big solo much better than the grade 12 student? Do you pick the grade 12 student because seniority rules or pick the younger student because they are a more skilled player? This is where things get kind of wishy washy. I’ve been in both situations where I’ve been the one chosen only because I’m older or I wasn’t chosen just because I was younger. I guess the simple solution is to compare their playing abilities. If the older and the younger student play equally well and either one would be qualified to play the solo or win the competition, I’d say give it to the older student. The younger student still has a few years to do something like that and if they already play that well, they’ll be even better in a few years. However, if the younger student is very clearly at a much higher level than the older student, then I think, with careful consideration, it would be appropriate to choose the younger student.
It’s not that simple though. Choosing the older student can cause some hard feelings if the younger student feels they play better. Choosing the younger student could probably cause more hard feelings. If you’ve read any of my Concerto Competition rant posts, you’ll know exactly what I’m talking about. It’s the sense of working so hard to make it to where you are and then someone who’s barely worked just gets lucky and takes it away from you. I felt like when I was in grade 12, I got ripped off. No recognition for what I did, just a not so friendly, “Have fun at university, now get the hell out of here!”
Despite those incidents, I feel like university is a different mentality. Some things have preferential treatment for upper year undergrads or master’s students, but other things are fair game. University is supposed to prepare you for real life and protecting people’s feelings by giving everyone a chance is not always the solution. In the real world, not everyone gets a chance, in fact very few people get a chance, especially in music. It’s not “your turn” just because you’re the oldest candidate or most qualified. You have to work to get your job and work even harder to maintain it. If your feelings get hurt in the process, good.
Even though university is a more impersonal environment than high school, depending on the school you go to, you may get even more attention than you did in high school. At a smaller university, everyone gets to play in the groups they want. If they don’t get in first year, they will eventually as the older students graduate. At larger schools, you have to audition to even get into the orchestra or concert band. If you slough it off, you don’t even get to play with a large ensemble! Even if you get in, you can get kicked out! At a smaller school like mine, you’d really have to suck to get kicked out. I’ve only seen one person get kicked out and even then, he was given several chances to redeem himself (more so than he would have gotten at a bigger school). I guess this raises another point, would going to a bigger school be better as it replicates the “real world” a bit more, or is it important to go to a small school and get the extra one-on-one attention you wouldn’t get elsewhere?
I digress (again). While my school, and presumably others, tend to take seniority into account for ensemble placement, I feel this is not necessarily considered in the competitions. In the concerto competition, first years have won two years in a row. There’s also another scholarship competition in which first years have also been highly successful. I found this a tad irritating, I’d worked for 3 years to be in the final rounds of these competitions, and some first year wonder kids just get in like it’s no big deal. But then, if the adjudicators truly thought their performance was better than mine, I guess that’s what they went with. It still is frustrating to see first years take away something that I worked so hard to have. If they had chosen myself or another upper year student, these first years would have had 3 more years to win the competition. I guess it’s the prestige of being that first year who won against all the fourth years and masters students, but still. Again, as I mentioned before, it’s preparation for the real world. My job can be taken away by someone who’s not even born yet if I don’t watch out. No one protects your feelings in the real world. In a way, these first years who won the competitions are the ones that should watch out. Just because they beat out fourth years and master’s students in their first year doesn’t mean they’re entitled to a job right after their degree.
I hope this post made sense. I guess the main point I want to make is that nothing will ever replace hard work and a strong work ethic. Whether you receive preferential treatment for being an older more advanced student, or you have strong technical skills at a young age, ultimately no one truly has an advantage over another in the real world. You can’t let early successes get to your head. If you feel like you’ve never accomplished anything, although you’ve heard this before, that just means that you’ll accomplish something even better in the future that will mean much more to you than some silly competition or getting first chair in the orchestra.
This past week has been a very rough week for me. I don’t think it’s the concerto competition alone that’s caused that kind of stress, but it is a contributor.
On Tuesday, I mentioned in my previous post that I had a class with one of the profs on the panel. Yeah, I ended up skipping that class and lying in bed the whole day. I’ve seen the prof since then and he didn’t bring up the competition or anything, but I still get a sense that he knows the real reason why I wasn’t in class. I won’t bring it up if he doesn’t. I felt a bit guilty for doing nothing that day so I went to the school later that night to practice. It was going alright at first and then I just broke down crying and had to leave.
On Wednesday I knew I just needed to go somewhere that wasn’t school. I don’t have any classes on Wednesday until orchestra later in the afternoon so I went to the mall. I had some ice cream, bought some tea, checked out some stores and bused back to school for orchestra. It was refreshing, but only temporary.
Last night was the final round of the competition. I always feel obligated to attend as I entered the competition and I should support my peers yadda yadda. I don’t want people to think that by my absence I’m acting out or being bitter that I wasn’t chosen for the finals. At the same time, I still felt stressed out and bothered (by grad school applications as well, not the competition alone) and they always say, you have to take care of yourself before you can support others. I decided a reasonable compromise would be to show up fashionably late and catch most of the performances and of course, the big reveal.
I’ll be honest I was not pleased by the level of playing at the final round at all really. I’ve attended final rounds for these competitions in the past, and there have been better competitors selected. I’m not trying to say that I would have been a more qualified candidate, but I was somewhat displeased by the results.
They chose that singer and a cellist to play with the orchestra next year and a french horn and a saxophone to play with the wind ensemble. The only person that really had a stellar performance and legitimately deserved it was the singer, ironically enough she was the person I was originally most upset about being in the final. The cellist had a lot of intonation, note accuracy, and projection issues. If he can’t even play with confidence with a piano, then he will struggle with an orchestra. The saxophonist had a lot of confidence and musicality, but it was very messy. I get the piece was crazy hard, but you shouldn’t win a competition just because you played a crazy hard piece and lived to tell the tale. I’ve seen that happen too many times in my lifetime and it’s frustrating as hell. The French horn player actually played really well. There were some notes that he missed, but I mean that’s hard as a young French horn player. Everything else about his performance (confidence, musicality, etc.) was right on. I don’t know what to think. I feel like the panel almost chose people based on the pieces they were playing or how old they were or other arbitrary criteria that should have no relevance in a competition.
Maybe I shouldn’t have gone after all, but I guess I would have heard the results regardless. It’s not a secret at a small faculty like mine. People who weren’t at the competition will idolize the winners like they’re the greatest people on earth. The people who didn’t win are losers. I have no place in the faculty because I’m just some idiot violist. This is why I hate competitions.
It makes me wonder, what’s wrong with me? I’m not saying this to be cocky, but I know that I play at the level to be winning competitions like these. I’m not saying that I could have played better than any of the competitors, but I do play at that level. I’ve had experiences and done very prestigious summer programs that a lot of people at my school have never had, yet I’m still not good enough to win a silly competition at my school. I really don’t get it sometimes. Like, the summer program I’ve done the past two years, I was selected from a national pool. Some people work for many years to be selected for that program just once, and I was one of five from my school. Here I am, being recognized nationally, yet my own school doesn’t give a sh!t about me. Real nice.
I always thought that my lack of success at winning competitions was due to the closed-mindedness of the people from my hometown. There was basically a group of 2 or 3 people that would win every competition and rotate depending who played better that night. If you’re not one of those 2 or 3 people, you’re SOL, no matter how hard you worked. I used to think that if I worked really hard, I could win a competition, but nope. It’s not that simple. I wasn’t one of the elites. I thought when I went away for school, things would be different. Boy was I wrong. The common denominator is me. No matter which city I live in, no one will appreciate me for whatever arbitrary reasons there may be.