Part 1: https://confessionsofaviolist.wordpress.com/2015/06/12/my-beef-with-concerto-competitions-part-1/
When I started my first year of undergrad, I knew that I was not ready to enter in the concerto competition, or any other competition for that matter. It was too soon after my experience described in part 1. I needed to rebuild my confidence and the best way to do that was to not perform in competitions. I focused my attention more toward performing in student recitals and practicing to build up my technique. I’ve always found recitals to be a confidence booster because no one that matters is judging you or comparing you to others. People will come hear you to genuinely support you and your performance was appreciated.
In my second year of undergrad, I decided to be brave and go for the concerto competition. I figured I’d regained my footing from my experience in high school and I could get back in the game. I had started working on the Hindemith Der Schwanendreher over the summer and the competition was in November. The competition was a great way for me to get focused and motivated at the beginning of the year to get the first movement learned and memorized. I played at the competition and I thought that I actually played quite well given that I’d only really been working on the piece for about 6 months.
I never expected to be selected for the final round yet when they posted the results of the competition on Monday, but for some reason not seeing my name on that list still felt like a slap on the face. It was like the universe reminding me that I have no place to be entering a concerto competition as a violist. It seemed like all the string players that had entered were chosen for the final round except for me. That darn violinist that I complain about all the time was of course selected too. I was quite annoyed that a first year had been selected instead of me, especially given that I didn’t enter that competition in my first year. I tried not to let on to the rest of the music faculty that I was upset as everyone always cares so much about the competitions and who gets chosen and blah blah.
One of my fellow violists asked me how it went when I played for the preliminary round and I said something like “I thought I played very well, but I didn’t end up getting selected to the final round”. What she responded with bothered me even more, “Oh well, you’re a violist, don’t worry about it.” She didn’t mean anything by it and she was only trying to be friendly, but that comment bothered me and still bothers me to this day. Was she insinuating that I’m not good enough? That I shouldn’t enter competitions? That I’m one of those “who does she think she is” people? Regardless of what was meant by the comment, what shocked me the most is that it came from a violist. I’ve heard similar comments being made by other violists too since then. Being a lesser common instrument and being cast as the “inferior” instrument, I always felt a special sense of camaraderie between violists that you don’t see within any other instrument. Violinists, pianists, and flutists hate each other as they’re so competitive with each other (yes, stereotyping, but it’s generally true). That’s one of the main aspects that drew me toward the viola. It just hurts a little to see that we make comments like that to each other. Yes, viola is not a competition winning instrument and most violists make a career as a teacher, professor, or orchestral/chamber musician, but that does not mean that we can’t enter competitions or put on solo recitals if we want to. I get a sense that sometimes the support that violists have for each other doesn’t extend to competitions and if anything, that’s where we need the most support for each other. It just breaks my heart a bit that violists would discourage other violists for entering competitions or justify a loss by saying “It’s because I’m a violist”. In a competition, it’s about who plays with the best technique and musicality, not about what instrument they play.
When third year came along, I figured my best plan of action was to play Der Schwanendreher again. I hadn’t learned a new concerto that summer. I thought that if I played the same piece again with better intonation, overall accuracy, musicality, and all that fun stuff that I would have a chance at the final round. I gave the piece a rest over the summer and brought it back in mid-August and found that I had so much more to bring to it, both technically and musically. I had a breakthrough in working on intonation and other technical issues I’d been battling for years. I also found I was practicing a lot more than in did in first and second year. In the weeks leading up to the competition, I was easily practicing 4+ hours a day on just the Hindemith, not including my other rep. I was incredibly determined.
When I played at the preliminary round, it didn’t go as well as I wanted it to and I was quite bothered. I had played it much better at a student recital only a few weeks before. If only I could have copied and pasted that performance into the concerto competition. I tried not to worry about it over the weekend, perhaps maybe my performance wasn’t as bad as I thought it was and that I was just being hard on myself. When the results came on Monday, it was once again a slap on the face. My name was not on the list and this time it hurt even more. I put so much time and effort into this piece, more so than the previous year. I felt like I had wasted a lot of time and effort for a crappy performance. One thing that I find especially hard with competitions is it always feels like your performance wasn’t appreciated unless you win. Everyone is judging you harshly.
Now, going into my fourth year I feel so conflicted about entering the concerto competition this year. On one level, there’s the “I’ve got nothing to lose” mentality. At the same time, I don’t want to go through that again. I don’t want to put myself out there and practice 4+ hours a day to be shot down. But I also tell myself that I will never get anywhere in a music career if I don’t put myself out there. I’ll never get a job in a symphony orchestra if I don’t audition and put myself out there, even though there’s a possibility of rejection. It’s better to learn the lesson of potential rejection now in university rather than when I get out in the real world and do auditions.
There’s also a part of me that wants to win a concerto competition that still exists even from high school. Winning a concerto competition, or any competition for that matter, would mean a lot more to me than someone like that violin kid I always complain about. After a life of always being the underdog and the “inferior” one, it would mean a lot to me if someone recognized something I did for once. I want to be the one that everyone’s proud of for one brief, shiny moment in my life. It hurts when I see people who always praise that violin kid seem to never notice things that I do. The experience of playing with an orchestra would also be amazing. Not many violists get to play with an orchestra and if I won the concerto competition, it could be my only chance of ever playing with an orchestra in my entire career. It’s always nice to see an instrument that isn’t a violinist or a pianist playing with an orchestra. I would also be a role model to other violists, show that anything is possible if you work hard. Most of the winners of the concerto competition at my school have either already played with an orchestra before or get another opportunity to play with an orchestra later on. To them, it’s just another performance or just another win and it hurts me that they take it for granted like that. Previous winners of the concerto competition have said “Oh it’s just the _______ University orchestra!” It’s still an orchestra and they have no idea how many other people would kill to be in that position.
So here I am, conflicted. Being my fourth year, this is my last chance to enter the concerto competition and possibly play with an orchestra. I don’t want to pass up this opportunity, but I also don’t want to put in hours and hours into practicing my piece to be rejected again. I know the pain of rejection would be even more intense because I won’t have any more chances. It’s now or never. I still have about 4 or 5 months to decide what I want to do and perhaps when the time comes, I will feel differently. Perhaps I just have a case of “the grass seems greener on the other side”. Maybe playing with an orchestra isn’t as magical as I build it up to be and if I did win, I wouldn’t enjoy it as much. It’s always important to remember that as much as you want what other people have, they also want what you have. I’ve had people come up to me, even violin kid, that said they wish they had the opportunity to do some of the things that I’ve accomplished. It just goes to show that we can’t have everything in life and it’s important to appreciate what you have, even when it seems like others have it all.